This is because they seem to have everything going for them, including their adult children Duc (Raymond Lee), adopted from Vietnam Ashley (Jerrika Hinton), adopted from Liberia and Ramon (Daniel Zovatto), a gay barista who was born in Colombia and their biological daughter Kristen (Sosie Bacon). Greg, a philosophy professor (I am not making this up), is turning 60 and wallowing in depression, a state with which Audrey, a therapist-turned-conflict-resolution-specialist (again, ugh) cannot quite contend. Hunter and Robbins play Audrey and Greg Bayer-Boatwright (ugh), a Portland, Oregon, couple mired in midlife ennui. Against this smugness, however, their combined skill and winning appeal simply could not hold. At last, here is something we can unite against.Ī shame, really, because it stars Holly Hunter and Tim Robbins, two enjoyable actors generally talented enough to elevate even substandard material. This is true regardless of your race, creed or political affiliation. Trust me when I say that the premiere of “Here and Now,” delivering its clammy-handed slap to our faces Sundays at 9 p.m., provides plenty of insufferableness for everyone. The pantheon of TV and film is bursting with white guys who desperately want to save the planet and people of color and, thereby, themselves.Īdmittedly, as a person of color who lives in a part of the country where claiming to be woke is used as a sustainable marketing gimmick, Ball’s series probably gives me and others like me more gastrointestinal distress than people living in places less overrun by beards and vegan waifs pissed off that more places don’t honor their gluten intolerance. “Here and Now,” Ball’s latest drama for HBO, is one of the most irritating exercises in hyper-progressive vanity that’s been foisted upon unsuspecting viewers in a long time. It’s one of television’s finest thought-provoking family dramas. Alan Ball’s “Six Feet Under” meditates on many themes concerning life, love, devotion and legacy over the course of its five seasons, enabling it to hold up even now, more than a decade after it left the air.
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